95040009

for CARHARTT WIP. Collection Slogan, S/S 2016 (photo by Sara Sani)

“We see blown-up plastic bodies, suggestive of pop art, or possibly, of porn: Hugyfot, one of the oldest and most renowned camera housing manufacturers, speaks of its products’ “sexy curves,” much like Mario Bellini once referred to his design of the Lexington typewriter that he offered Olivetti—purportedly with nude photographs interspersed in his presentation slides.”

from THE CURIOUS CASE OF THE UNDERWATER CAMERA. Acid, 2014

“Hailing from the hotbed of punk, Linder Sterling has never shied away from tearing things apart. Thematic rupture is a core element of her collage work, which features kettles, cupcakes, and flower bouquets, as well as nude beauties, fishnet stockings, lipsticks, and sanitary napkins – all cut out from household and porn magazines and mixed up by the socio-cultural tensions of Western society.”

THE AGE OF COLLAGE. Gestalten Verlag, 2013.

“Some products are designed for protest, like anarchy pins or the lock-on devices demonstrators use to attach themselves to buildings, bulldozers or train tracks. Sometimes form itself fights, in a less literal sense. Security features combat forgery. Functionalism famously fought against frills; then in turn, the Memphis Group’s glaringly grotesque furniture attacked functionality. Not particularly political, but still provocative and progressive, Memphis’ furniture was pretty much applied-arts punk; Instead of pleasing the eye, it poked into it with a surplus of color and wacky shapes.”

from THE ART OF BEING AGAINST. A Skateboarding Annual, 2015

“Seit Caravaggio oder später Steenwijck und Snyders sie malten spiegeln Stillleben die Umstände ihrer Zeit. So inszenieren neue Meister zwar weiter Genre Klassiker wie Bouquets oder Tierkadarver, arrangieren sie aber werbewirksam mit Taschen und Pumps.”

from BUSINESSCARD MIT REBHUHN. Form, 2014

“Perhaps, few will find pleasure in its form. But in light of the worlds obsession with style, it is somewhat pleasing to see it look the way it looks, as if there were simply no other way. “

from THE CURIOUS CASE OF THE UNDERWATER CAMERA. Acid, 2014

Info

Anna Sinofzik is an editor and writer based in Berlin. She holds an MA of Arts in Design Writing Criticism and has worked with a range of renowed publishers, publications and brands. Find a selection of recent publications below. For further info and writing samples, swipe sideways or get in touch.

  • SPACE FOR VISUAL RESEARCH VOL. 2

    Ed. M. Weisbeck, A. Sinofzik, A. Palko. (2017) Leipzig: Spector Books

  • SPACE ODYSSEY: A BRIEF HISTORY OF NOT-KNOWING

    in Space for Visual Research Vol. 2, pp. 205-210.
    Ed. M. Weisbeck, A. Sinofzik, A. Palko. (2017) Leipzig: Spector Books

  • BADIOU IN TRANSIT

    in: Whitelies Magazine (2017), pp. 58-63.

  • DIE DATENMESSIES

    on: Zeit Online (2017).

  • THE CARHARTT WIP ARCHIVES

    Ed. M. Lebugle, A. Sinofzik (2016). New York: Rizzoli

  • CONTINUING A LEGACY: CARHARTT WIP

    in: The New Order Vol.15 (2016), pp. 54-59.

  • TAL R

    in: The Age of Collage 2: Collage in Contemporary Art, pp. 50-57.
    Ed. D. Busch, R. Klanten (2016), Berlin: Gestalten Verlag

  • LOLA DUPRÉ

    in: The Age of Collage 2: Collage in Contemporary Art, pp. 70-71.
    Ed. D. Busch, R. Klanten (2016), Berlin: Gestalten Verlag

  • JOHN BALDESSARI

    in: The Age of Collage 2: Collage in Contemporary Art, pp. 192-205.
    Ed. D. Busch, R. Klanten (2016), Berlin: Gestalten Verlag

  • THE STILL LIFE in Product Presentation and Editorial Design

    Ed. A. Sinofzik, R. Klanten (2015). Berlin: Gestalten Verlag

  • BURNRATE, POP SHOP

    on: Iconist (2016). Berlin: Welt24/Icon

  • SCHELTENS & ABBENES

    in: The Still Life in Product Presentation and Editorial Design, pp. 192-205.
    Ed. A. Sinofzik, R. Klanten (2015), Berlin: Gestalten Verlag

  • PETER LANGER

    in: The Still Life in Product Presentation and Editorial Design, pp. 268-281.
    Ed. A. Sinofzik, R. Klanten (2015), Berlin: Gestalten Verlag

  • METZ + RACINE

    in: The Still Life in Product Presentation and Editorial Design, pp. 126-143.
    Ed. A. Sinofzik, R. Klanten (2015), Berlin: Gestalten Verlag

  • ALBRECHT VON ALVENSLEBEN & MAX PAUEN

    on: www.freundevonfreunden.com (2015)

  • REFLEXIONEN ZUM REGAL

    in: Personalities by USM, pp. 10-13.
    Ed.: Freunde von Freunden (2015). Ostfildern: Hatje Cantz
    republished on www.freundvonfreunden.com

  • THE ART OF BEING AGAINST

    in: A Skateboarding Annual Vol.1 (2014), pp. 58-65.

  • START ME UP: New Branding for Businesses

    Ed. A. Sinofzik, R. Klanten (2015). Berlin: Gestalten Verlag

  • KNIFE AND FORK: Visual Identities for Restaurants, Food and Beverage

    Ed. A. Sinofzik, R. Klanten (2014). Berlin: Gestalten Verlag

  • THE CURIOUS CASE OF THE UNDERWATER CAMERA

    in: Acid Magazine #4 (2014), pp. 58-63.

  • CULTURE IDENTITIES: Design for Cultural Institutions

    Ed. R. Klanten, A. Sinofzik (2013), Berlin: Gestalten Verlag

  • LES GRAPHIQUANTES

    In: Culture Identities: Design for Cultural Institutions, pp. 92-99.
    Ed. R. Klanten, A. Sinofzik (2013), Berlin: Gestalten Verlag

  • JAMES GOGGIN

    In: Culture Identities: Design for Cultural Institutions, pp. 76-81.
    Ed. R. Klanten, A. Sinofzik (2013), Berlin: Gestalten Verlag

  • BUREAU MIRKO BORSCHE

    In: Culture Identities: Design for Cultural Institutions, pp. 58-65.
    Ed. R. Klanten, A. Sinofzik (2013), Berlin: Gestalten Verlag

  • ART BASEL

    In: Culture Identities: Design for Cultural Institutions, pp. 44-47.
    Ed. R. Klanten, A. Sinofzik (2013), Berlin: Gestalten Verlag

  • VAN ABBEMUSEUM

    In: Culture Identities: Design for Cultural Institutions, pp. 26-31.
    Ed. R. Klanten, A. Sinofzik (2013), Berlin: Gestalten Verlag

  • DOCUMENTA

    In: Culture Identities: Design for Cultural Institutions, pp. 10-17.
    Ed. R. Klanten, A. Sinofzik (2013), Berlin: Gestalten Verlag

  • JOHN STEZAKER

    in: The Age of Collage: Collage in Contemporary Art, pp. 26-31.
    Ed. R. Klanten, H. Hellige, D. Busch (2013), Berlin: Gestalten Verlag

  • JAMES GALLAGHER

    in: The Age of Collage: Collage in Contemporary Art, pp. 192-197.
    Ed. R. Klanten, H. Hellige, D. Busch (2013), Berlin: Gestalten Verlag

  • DASH SNOW

    in: The Age of Collage: Collage in Contemporary Art, pp. 266-273.
    Ed. R. Klanten, H. Hellige, D. Busch (2013), Berlin: Gestalten Verlag

  • LINDER STERLING

    in: The Age of Collage: Collage in Contemporary Art, pp. 44-51.
    Ed. R. Klanten, H. Hellige, D. Busch (2013), Berlin: Gestalten Verlag

  • CORALIE BICKFORD-SMITH

    in: Fully Booked: Ink on Paper, p. 18.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • VISUAL EDITIONS

    in: Fully Booked: Ink on Paper, p. 46.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • THREE STAR BOOKS

    in: Fully Booked: Ink on Paper, p. 94.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • JOOST GROOTENS

    in: Fully Booked: Ink on Paper, p. 144.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • SATOSHI HASHIMOTO

    in: A Life in Illustration: Famous Illustrators and their Work, pp. 60-67.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • JONATHAN CORUM

    in: A Life in Illustration: Famous Illustrators and their Work, pp. 126-133.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • HENNING WAGENBRETH

    in: A Life in Illustration: Famous Illustrators and their Work, pp. 210-221.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • JAN VAN DER VEKEN

    in: A Life in Illustration: Famous Illustrators and their Work, pp. 68-79.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • ANDREA VENTURA

    in: A Life in Illustration: Famous Illustrators and their Work, pp. 80-91.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • CHRISTOPH NIEMANN

    in: A Life in Illustration: Famous Illustrators and their Work, pp. 48-59.
    Ed. R. Klanten, H. Hellige (2013), Berlin: Gestalten Verlag

  • TAKEN BY SURPRISE: Cutting Edge Collaborations

    Ed. R. Klanten, S. Ehmann, A. Sinofzik (2012), Berlin: Gestalten Verlag

  • BUSINESSCARD MIT REBHUHN

    in: Form N°254 (2014), pp. 80-85.

  • THE HIGH TOUCH (Preface)

    in: High Touch: Tactile Design and Visual Explorations, pp. 4-7. 
    Ed. R. Klanten, S. Ehmann, M. Hübner (2012), Berlin: Gestalten Verlag

  • AT THE CROSSROADS: How Nicolai Howalt lets Art & Agony Collide

    In: Carhartt WIP Brand Book – No 10 (2013), pp. 48-61.

  • MATTERIAL DEVICES: Schreibstrategien zwischen Inhalt und Visualität

    In: Fontes Litterarum – Typographische Gestaltung und literarischer Ausdruck
    Ed. P. Vanscheidt, M. Polzer (2014), pp. 451-473.

  • AVANT GARDE ODER DIE (VERGESSENE) LUST AM TEXT

    In: Slanted Issue 14 (2011), pp. 20-25.

Info

Anna Sinofzik writes about, for, and from within the vast and varied field of (contemporary) visual culture. Aside from editorial work, she composes copy for ad-campigns, catalogues, corporate publications, and clothing collections. Holding an MA of Arts in Design Writing Criticism from the London College of Communication, Anna has worked with international publishers, publications, and brands. Her clients and frequent collaborators include Gestalten, Rizzoli, Hatje Cantz, Freunde von Freunden, Die Welt, Form, USM Haller, and Carhartt WIP.

Writing samples and additional info upon request.

 

 

 

 

 

Legal notice

Anna Sinofzik

Gneisenaustrasse 51
10961 Berlin

hello(at)annasinofzik.com

USt-IdNr.: DE292077985
Finanzamt Friedrichshain-Kreuzberg

All rights reserved. Unless otherwise stated, all material on this pages is subject to copyright. I do not take responsibility regarding information and content displayed on external linked websites.

© 2017 by Anna Sinofzik

Legal notice

Anna Sinofzik

Gneisenaustrasse 51
10961 Berlin

hello(at)annasinofzik.com

USt-IdNr.: DE292077985
Finanzamt Friedrichshain-Kreuzberg

All rights reserved. Unless otherwise stated, all material on this pages is subject to copyright. I do not take responsibility regarding information and content displayed on external linked websites.

© 2017 by Anna Sinofzik